Dhurandhar, Chhaava: The year angry men dominated Bollywood

Violent, male-driven films dominated the Indian box-office and cultural conversations in 2025.

Watch LiveBritish Broadcasting CorporationHomeNewsSportBusinessInnovationHealthCultureArtsTravelEarthAudioVideoLiveDocumentariesHomeNewsIsrael-Gaza WarWar in UkraineUS & CanadaUKUK PoliticsEnglandN. IrelandN. Ireland PoliticsScotlandScotland PoliticsWalesWales PoliticsAfricaAsiaChinaIndiaAustraliaEuropeLatin AmericaMiddle EastIn PicturesBBC InDepthBBC VerifySportBusinessExecutive LoungeTechnology of BusinessFuture of BusinessInnovationWatch DocumentariesTechnologyScienceArtificial IntelligenceAI v the MindHealthCultureWatch DocumentariesFilm & TVMusicArt & DesignStyleBooksEntertainment NewsArtsWatch DocumentariesArts in MotionTravelWatch DocumentariesDestinationsAfricaAntarcticaAsiaAustralia and PacificCaribbean & BermudaCentral AmericaEuropeMiddle EastNorth AmericaSouth AmericaWorld’s TableCulture & ExperiencesAdventuresThe SpeciaListEarthWatch DocumentariesNatural WondersWeather & ScienceClimate SolutionsSustainable BusinessGreen LivingAudioPodcast CategoriesRadioAudio FAQsVideoWatch DocumentariesBBC MaestroLiveLive NewsLive SportDocumentariesHomeNewsSportBusinessInnovationHealthCultureArtsTravelEarthAudioVideoLiveDocumentariesWeatherNewslettersWatch LiveThe year angry men dominated Bollywood - and what it means for India 15 hours agoShareSaveYasser UsmanFilm writerShareSaveJio StudiosRanveer Singh's Dhurandhar was the biggest hit last yearFor the Indian film industry, 2025 felt like a return to familiar ground.

The year before that, women-led stories had briefly reshaped India's global cinematic image, bringing accolades and new attention. But last year, Bollywood's violent, male-driven action thrillers dominated the domestic box-office and cultural conversations.

In the last weeks of 2025, Indian social media was swamped with discussions about a single juggernaut: Dhurandhar, an espionage thriller set in the backdrop of India-Pakistan tensions.

Packed with graphic violence and gangland politics, the film became the defining hit of the year, cementing its place in a crop of aggressive, hypermasculine films that drove popular discourse.

The trend was a stark contrast to 2024, when a number of films made by women - Payal Kapadia's All We Imagine As Light, Shuchi Talati's Girls Will Be Girls and Kiran Rao's Laapataa Ladies - got global attention and praise.

https://www.bbc.com/news/articles/ce8n8eye1vjo?at_medium=RSS&at_campaign=rss


Post ID: 1d3f8936-1acd-430d-9d1f-6c61823348af
Rating: 5
Created: 2 weeks ago
Your ad can be here
Create Post

Similar classified ads


News's other ads